Cantopop and Speech-Melody Complex
نویسندگان
چکیده
منابع مشابه
A Musical Approach to Speech Melody
We present here a musical approach to speech melody, one that takes advantage of the intervallic precision made possible with musical notation. Current phonetic and phonological approaches to speech melody either assign localized pitch targets that impoverish the acoustic details of the pitch contours and/or merely highlight a few salient points of pitch change, ignoring all the rest of the syl...
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The understanding of speech melody, i.e., pitch variations related to both tone and intonation, can be improved by simultaneously taking into consideration two basic facts: that the melody conveys communicative meanings, and that it is produced by human articulators. Communicative meanings, as I will argue, are conveyed through a set of separate functions which are realized by an articulatory s...
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We propose a system which extracts the melody line played by a solo instrument from complex audio. At every time frame multiple fundamental frequency (F0) hypotheses are generated, and later processing uses various knowledge sources to choose the most likely succession of F0s. Knowledge sources include an instrument recognition module and temporal knowledge about tone durations and interval tra...
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This paper presents SLAM : a simple method for the automatic Stylization and LAbelling of speech Melody. This main contributions over existing methods are : the alphabet of melodic contours is fully data-driven, an explicit time-frequency representation is used to derive complex melodic contours, and melodic contours can be determined over arbitrary prosodic/syntactic units. Additionally, the s...
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Music and speech are often cited as characteristically human forms of communication. Both share the features of hierarchical structure, complex sound systems, and sensorimotor sequencing demands, and both are used to convey and influence emotions, among other functions [1]. Both music and speech also prominently use acoustical frequency modulations, perceived as variations in pitch, as part of ...
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ژورنال
عنوان ژورنال: Music Theory Online
سال: 2021
ISSN: 1067-3040
DOI: 10.30535/mto.27.1.6